From ALMOST A DEAD MAN
The casino at Hamburg's Hotel-Intercontinental was quiet on weekday afternoons. The only action was a solo woman at the roulette table and a Japanese businessman playing baccarat. The head executive in a Savile Row suits displayed no emotion, as his fingers slashed down like samurai sword to take a hit. Win or loss was not as important as his wager’s fearlessness. The money was all black money unspendable in Japan.
After another losing hand the Joshi or boss nodded to his three underlings. The youngest separated from the table and went to the polished roulette table. The low-echelon salaryman did not understood the rules. His boss glared at him and he placed a chip on black, while observing the play of the towering brunette in four-inch stiletto heels.
Her short hair stuck out in punk spikes. Her right eye moved independently of the left. Forces had ravaged her visage. The woman in her mid-twenties resembled Meiko Kaji, if the Japanese movie actress had crashed a Porsche into a wall. There was no beauty in the gaijin gyaru.
The Japanese company man considered Occidental women ugly. This woman was more scarred as a battle-word samurai warrior. irginity was a requirement for a naked sushi body back in Japan. His boss was not so fussy in Germany. His boss was not so fussy in Germany. All the women in Hamburg were whores to them, yet she emanated a defiance rarely displayed by Japanese women other than Meiko Kaji. The pink film star was a goddess. The nameless company man loved the 1973 classic revenge movie THE LADY IN SNOWBLOOD, WHICH TARANTINO LIFTED FOR KILL BILL.
ALMOST A DEAD MAN's gaijin gyaru or western woman is Lotte Wessel, once the leader of the women of the Reeperbahn working women seeking to form a union to overthrow the pimps or Zuhalterai. They almost kill her and now she is seeking revenge.
I wrote this novel in the west of Ireland 1997.
All the cow farmers in the pub beneath the Connemara Mountains asked, "Why yer writing a book about Germany in Ireland?"
"My mother's death wish was that I go to Ireland and marry someone like my sisters or aunts."
"Now that's a death wish. How ye faring with that task?" Mikey came up to my chest and lived in a stone hut on the ocean.
"I'm here drinking with youse." None of the first born farmers had married. Women fled the West of Galway before they could get knocked up by family or friends.
I wrote THE END in December. I returned to New York. Shannon Greer, photographer read it back then in an evening. p>I rewrote it several times without submitting it to publishers or agents.
It's now on page 289 of the 2025 rewrite.
Good then, better now.
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