Showing posts with label Thomas Cole. Show all posts
Showing posts with label Thomas Cole. Show all posts

Tuesday, November 5, 2024

Bridges On The Hudson

Written Sep 2, 2018

The Kaaterskil Creek flows East out of the Catskill Mountains Into the Hudson River___

The creek has existed since the Ice Age.

For millenium the primordial Glacial Shield sheared off the tops of much high mountains forming the Catskills. Granite tops their ruined peaks.

A land of wonder.

In 1818 at the age of seventeen Thomas Cole emigrated from England to the newly-formed United States. Enamoured the wild beauty of the Hudson River Valley Thomas Cole moved to Cedar Farm on a high ridge with a westerly view of Kaaterskil Mountain immortalized the view of the mountain ridges from his veranda in Catskill.

The view was unchanged in 2018.

In June 2018 I stood atop the Hudson Milliner of Warren Street helping Shannon patch a hole in the roof. The steeple of the First Presbyterian Church cut off the view of Kaaterskil. My friend and his wife have been coming up river for years. In recent years I have joined them to help with construction, but mostly in the basement. It was good to be in the open air.

Wiping the sweat from my face, I said, "It would be good to good for a swim."

Neither of us had swam in the Hudson and he said, "The Kaaterskil Creek is best."

"What about the Hudson?"

"No one swims in the Hudson."

The GE Plant in Schenectady had been formed by Thomas Edison. The Electric Industry had dumped pollutants into the river for decades. Deadly pollutants. So bad the PCPs killed off the Shad fishing seasons forever.

Before the White Man came the river was home to the Lenape people. THe called it or Muhheakantuck, the Lenape name for the river that flow both ways. In the summer they traveled down river to Manhhattah to feast oysters on Manhattan by the billions. The middens of discard shells created large mounds and the Dutch named a path Pearl Street for the luminous nacres ps the name Manhatta means “place of inebriation.

Peter Stuyvesant stole this treasure for the Dutch.

White men were the devil, but the river surged in and out without prejudice.

Tides ruled its flow.

Not man.

At least until the Union Bridge connected Waterford and Lansingburgh in 1804.

I mentioned this crossing to Shannon.

According to Structure Magazine the Union Bridge, connecting Waterford and Lansingburgh, New York, was the first to cross the Hudson River in its 154 mile course from New York harbor northward. It was located near a long time ford and ferry crossing. The Internet answered so many questions, but once we had completed our task, the two of us grabbed our bathing suits and went for lunch, before Charlotta his partner pressganged us into another task. In old houses there are always many.

After a beer we crossed over the Hudson on the Rip Van Winkle Bridge, which had opened in 1935 to fireworks. I had once walked across it in the winter squall. Rogers Island and Hallenbeck Creek beneath obscured by snow flurries. Coming from New England I have good winter gear.

On the other side I told Shannon, "I love that bridge. It's probably the prettiest of those across the river.

"What about Bear Mountain? Isn't that where Jack Kerouac start hitchhiking across America in ON THE ROAD?"

To get to 6 I had to go up to Bear Mountain. Filled with dreams of what I'd do in Chicago, in Denver, and then finally in San Fran, I took the Seventh Avenue Subway to the end of the line at 242nd Street, and there took a trolley into Yonkers; in downtown Yonkers I transferred to an outgoing trolley and went to the city limits on the east bank of the Hudson River. If you drop a rose in the Hudson River at its mysterious source in the Adirondacks, think of all the places it journeys as it goes to sea forever -- think of that wonderful Hudson Valley. I started hitching up the thing. Five scattered rides took me to the desired Bear Mountain Bridge, where Route 6 arched in from New England. It began to rain in torrents when I was let off there. - OPENING to ON THE ROAD

"You're right." I stopped talking about the bridges across the Hudson.

Tomorrow I was traveling south.

Whatever I knew about the bridges was nothing without seeing them. We swam in the warm creek. The slabs of rock scarred by the glaciers. The scrapping immortalized in the stone.

The next day I caught Amtrak's 3:47 to Penn Station from the Hudson NY station.

The train arrived on time.

We left on time too.

I was alone with a seat on the right. A river view.

The bay below the Rip Van Winkle Bridge was calm.

I was returning to the city to work.

Construction at Chez Oskar, Charlotta's restaurant on Malcolm X Boulevard. Far from the Hudson. I wish I could have stayed , but I have five children in Thailand.

They hated me not working.

Beyond the opposite bank rose mountains.

They were eternal.

The Rip Van Winkle's supports had been set in the tidal marshes.

1934.

The train hurried south through woods.

In 1835 Alexis De Torqueville had written during his travel from Newe York to Philadelphia that America was a jungle in DEMOCRACY IN AMERICA.

He was more right now than then.

What had been farmland in the 19th Century was mostly now woods.

The valley healing from Man.

The Catskills seemed small from the eastern shore of the Hudson.

Before the Glaciers they had been highger. The rubble had been swept south to form Long Island.

The train ran close to sea level.

The river flowed 315 miles from its headwaters in the Adirondacks.

Straight into the Atlantic.

A cold northern ocean.

The train picked up speed.

Another bridge crossed the river.

Rhinebeck to Kingston.

It had been built in 1957.

And still worked today carrying cars and trucks east and west.

I nodded off and dreamt of the impending apocalyppse. The Bridge toppled into the river. I woke, as the train pulled into the suburbs of Poughkeepsie. Another bridge. A train bridge converted to a pedestrian tourist attraction.

145 feet over the river.

It had survived by dream world extinction. For now.

A few passengers boarded at Rhinebeck.

The sun dropped low.

Even for this last day in the solstice cycle.

The river was calm enough to please the early explorers Jean Cabot and Henry Hudson.

It is called a drowned river and the dead always speak with quiet in their hearts.

I looked out the window.

The river bore only birds.

None of them were quacking.

I nodded off to nowhere and woke under the construction for the new Tappan Zee Bridge. The replacement bridge will cost $4 billion dollars. It will have a new name.

Or two billions beers at the 169 Bar in Chinatown, my home away from home.

Once ferries carrying passengers and cargo up the river. All I see are barges, although the Newburgh–Beacon Ferry still services commuters.

Now there are more bridges on the Hudson from the wooden foot bridge just east of Henderson Lake outlet to the mightiest span of all is the GW Bridge. Forty Seven in total.

A monster.

The train tucked into the shore and delivered us to Penn Station.

Right on time.

New York wouldn't be New York without the Hudson.

Because all cities are defined by their surroundings and man can never defied Nature.

Never.

Tuesday, October 19, 2021

Deja Trop Vu From Holyoke

Several years ago I visited Boston's Museum of Fine Arts for the first time in decades. My sister, her husband, and daughter slowly inspected each and every painting, while I sought out Northeast classics such as Fitz Hugh Lane's OWL'S HEAD, Winslow Homer's THE FOG, and Childe Hassam's BOSTON COMMONS AT SUNSET. I have admired these iconic images for ages and it was good to be close to them, as was seeing my family members out of the corner of my eye, since familiarity breeds more familiarity and I am a native New Englander.

A few years later my producer and I traveled north from New York to work on his lakeside house outside of Springfield. After New Haven we detoured off the route to visit East Rock, a basalt traprock promontory north of New Haven. A tall stele tops the park. Eric and I had driven by this monument hundreds, if not thousands of times after our mutual moves to New York City in the 70s. Atop the butte many Mexican families celebrated the sunny weather, even though one side of the base hailed the American victories against Mexico in 1848. The other side was dedicated to the soldiers and sailors of the American Revolution, and the Civil War.

"See that bump on the far horizon?" Eric pointed to a blue hill beyond the farthest ridge.

"Yes."

"That's Mount Holyoke."

"I haven't been there since my father had taken our family there on a Sunday drive back in the 1960s.

"We'll go there this afternoon." Eric motioned for me to get back in his car. His house was another hour away and we had plans on eating at Crazy Jake's. The family restaurant in his hometown had great fried clams and that compliment comes from a man raised on fried bi-valvals from Wollaston Beach.

Lunch was delicious. The clam bellies were fat and succulent. Eric's house was a minute away from Jake's. We unloaded the van and I pulled knee-high dandelions from the backyard, while Eric mowed the overgrown front lawn. After an hour of landscaping we had temporarily tamed nature and I threw a final armful of weeds into the encroaching woods, then asked "How about that trip to Mount Holyoke?"

"I have a few things to do on the internet." His video production company was a non-stop enterprise. "We'll go around 4."

"Fine with me." I went outside to trim a tree shattered by a winter storm. The ax was dull, but my heavy swing hewed a gut in the log and within a half-hour I shouted 'timber' to the bugs. The limb fell several feet from me with a threatening thud. Sweat stained my shirt and I dragged the branch to the wood pile, ready for a beer.

"What was that noise?" Eric didn't lift his head from the computer.

"Chopped down that hanging branch." A real woodsman could have accomplish the task within five minutes, still I was proud of my effort. I had all my fingers and toes and hadn't thrown out my back.

"Give me another ten minutes and we'll head over to Mount Holyoke."

Fifteen minutes he drove us through the verdant green woods of Western Massachusetts and I listened to his recounting tales of his youth. The park was open to visitors and we wound up the narrow road to the summit teased by ever-scenic vistas of the Connecticut River Valley. Eric parked the van beneath the mountain house, which was surrounded by a chain-link fence for renovation. A path led to the northern side of the summit and we climbed to granite slab.

"That's the oxbow." Eric pointed to a gentle loop in the river.

"I know this view. Thomas Cole painted it in the 1840s."

"The View from Mount Tom." I had stood before his arcadian tableau at the MFA. His viewpoint was more to the east, but recognizable from my vantage. "For a second I thought it was a deja-vu. I once had a similar one in the South of France."

"Where?" Eric had family in the Luberon. His father had met his mother in Normandy a week after D-Day.

"Perpignan." I had spent the summer of 1989 with my family on the Cote Vermillon. "I was writing a collection of short stories there. My cousin and I drank in various towns up and down the coast. We gambled in Spain and ate great meals in Sete. One afternoon Jacques said that he had a favor to ask me. I said, "What?" and he replied that his wife wanted us to attend a classical quartet concert in a mountain monastery. I hated that type of music. Jacques felt the same way, but demanded on our blood that I accompany him. I agreed and that evening we drove up into the Pyrenees under a glorious sky. Turning a corner I spotted the monastery atop a hill and was staggered by a tidal wave of a deja vu. I had been here before. Physically. Jacques asked what was wrong and I told him about my reincarnation. He laughed and explained to everyone in the car about my deja vu before explaining that half this monastery had been sold to an American, who planted the twin at the end of Manhattan."

"The Cloisters." The renaissance edifice was a highlight to everyone driving up the Hudson.

"One in the same."

"So no deja vu."

"No and I guess none today." I couldn't recall the last time that I had experienced that mystical sensation. Maybe I've seen too much over these last six decades to be surprised by deja trop vu, but I doubt it and my eyes stripped away the trees and the laces on roads to time-travel back to the view of Mount Holyoke seen by Thomas Cole. It was easy once I took off my glasses. Without them everything was ablur and painters back then always painted a blur.

Just the way I like it.

Monday, July 24, 2017

A View Of Kaaterskil

A young Thomas Cole traveled to the Catskill Mountain House in the 1820s. He painted many scenic views of the mountains. The view from his house from 1827 was captured in View Near the Village of Catskill. I have stood on the porch. Time remains the same now and it was then.

Friday, November 11, 2016

Thomas Cole's Porch

Thomas Cole painted scores of landscapes during mid-1800s.

Some of them are the view from his studio in the town of Catskill.

I've stood on the porch of his house at Cedar Farm.

The vista remains the same.

Splendid any time of the year.