Monday, October 21, 2024

Hart Crane by Dakota Pollock

Published Mar 6, 2020

HART CRANE

Harold Bloom is dead
I don’t have to worry
About his academic attacks
On others with
That sniveling, self assured
Intellect
His smug, all knowing,
pretentious smirk
Like the sailors
Who threw Hart Crane
From a ship
After he made a pass
At probably all of them
And they threw him
Into the Atlantic Ocean
And then wiped their hands
Hands before
Having a drink together
In the ship's bar
Because there used to be
Bars even in Air Force bases
They said it was suicide
Crane's lonely bones
On the bottom of the ocean floor
The man who wrote

‘Pile on the logs... Give me your hands,
Friends! No - It is not fright...
But hold me... Somewhere I heard demands...
And on the window licks the night.’

Alone on the ocean floor
With only his boots remaining
How poetic.
Bloom and I
Both loved Crane
Even though
Neither of us,
Despite what Bloom claimed,
Understood what Crane
Was trying to say,
But when I saw that bloom
Had died while
Reading his Wikipedia
Article
I said, well, no more
Unwanted hands
Gripping undergraduate thighs
And lectures on how to improve
Grades. vBloom is gone
Dead
Remembered in over 40
Different languages
(Who reads literary critique anyways?)
I can’t think of
Any lines of romanticism
To commemorate him Because I’m just relieved
Knowing that I’ll never have to
Worry about his immediate
Dismissal of my work
And the laughing of
Academics
as they throw
The non-Hart Crane’s stuff
In the trash.

Sunday, October 20, 2024

Drifting On the Sea - Hart Crane - Poem by Peter Nolan Smith

From 2/14/2021

Sunken fishermen struggle to swim
Without anyone warm enough
To shed a tear
And they know who will join the sea.

The night stars illuminate the path to nothing.
For a drunken poet someplace to be other than the wet Caribbean

A ship's aft lights dim in the dark
And the engines bury the voices of the drunken sailors
Who gave you a new home beneath the waves.
Boots floating ever down to the bottom.

One last thought.

Yet I would lead my grandmother by the hand
Through much of what she would not understand;
And so I stumble. And the rain continues on the roof
With such a sound of gently pitying laughter. - Hart Crane

Friday, October 18, 2024

Montauk Train # 7

An hour after the Dawn
An eastbound diesel train
The 8:18 to Montauk
Top speed
60 mph
Fifteen minutes
Out of Jamaica___

Sun climbs the sky
Approaching Babylon


A swimming pool
Empty
Until
A winter blizzard buries Long Island___

And the snow melts
Fills the pool
To the brim___

Two months
Ahead
Of today
A White Christmas
Wintah 2024___

Thursday, October 17, 2024

Anarchy in the UK - CBGBs

In November 1976 the Sex Pistols released ANARCHY IN THE UK on the UK. The revolutionary punk song was immediately banned by the BBC. The British authorities were worried about the sensibility of the royalists. Within the week ANARCHY IN THE UK was # 1 on the charts without getting any airplay.

Describing the social context in which the band formed, John Lydon said that mid-seventies Britain was "a very depressing place ... completely run-down, there was trash on the streets, total unemployment, just about everybody was on strike ... if you came from the wrong side of the tracks ... then you had no hope in hell and no career prospects at all." America was no better post-Vietnam after eight years under the rule of the Silent Majority. I fled the racism of Boston to New York, working at gay restaurants. Naturally I somehow found CBGBs and instantly became a punk.

Hilly Krystal, the owner, stocked the great jukebox with the Ramones, New York Dolls, Blondie as well as JOLEEN by Dolly Parton. We thought we were the only punks in the world and gloried on striking out against everything, but we were wrong and one night in late 1976 someone played ANARCHY IN THE UK and we were not alone. The Sex Pistols changed the scene. Punk was everywhere. LA, Boston, Germany, everywhere.

And still is.

Forty-eight years ago everything changed.

Forever

At least for us.

Tuesday, October 15, 2024

Deutsche Sprachen 101

1966
Eine katholische Jungen-Highschool
Die South Shore von Boston
Vier Sprachen zur Auswahl
Spanisch, Französisch, Latein, Deutsch
Spanisch einfach
Hatte Französisch im Gymnasium
Latein als Messdiener
Meine Auswahlmöglichkeiten
Latein und Deutsch
Warum nicht?___
Mein Lehrer Bruder Karl
Kettenraucher
Aus Bayern
Kehliges Knurren mit phlegmatischem Husten
Vier Jahre
Reading Goethe und Kafka
Zweimal fällt er durch.
Sonst Dreier und Vierer
Spuckt er oft aus
„Smith, du sprichst wie ein Zuhälter von der Reeperbahn. Scheiß, aber mit gutem Akzent."
Nach dem Abschluss

1970
Ein katholisches College in Boston
Noch zwei mehr Jahre von Deutsch
Geinrich Boll
Gunther Grass
Nicht besser Vielleicht schlimmer
Niemand spricht dort Deutsch___

Jedes Jahr zu Weihnachten.
Eine Karte
Nach Tabak riechend
Von Bruder Karl
"An meinen besten Schüler."
Du redest wie Scheiße
Ein Lachen___
1976
New York
Sprich Jiddisch mit den Chassidim.
IB Singer Immer noch nicht besser___
1982
Hamburg
Arbeite für die Reeperbahn-Zuhälter
Walter Abish 'Wie Deuscthe Es Ist' Wahrscheinlich spricht nur einer von Bruder Karl's Schülern Deutsch.
Der Leiter der GmBH
Kalle sagt Du sprichst wie Scheiße___
Naturlich
Ich Sprich wie ein Zuhalter Vielen Dank, Bruder Karl___

In English

1966
A Catholic boys' high school
The South Shore of Boston
Four languages to choose
Spanish, French, Latin, German
Spanish easy
Latin as an altar boy
French in grade school
Choices
Latin and German.
Why not?
My teacher, Brother Karl
Chain smoker
From Bavaria
Throat growl
Phlegmatic cough
Four years
He fails twice
Reading Kafka
Goethe
Latin as an altar boy
Otherwise Cs and Ds
He often spits...
"Smith, you talk like a pimp from the Reeperbahn. Shitty, but with a Hamburg accent."___

After graduation
A Catholic college in Boston
Two more years of German
Gunter Grass
Heinrich Boll
No better
Maybe worse
Nobody speaks German there___
Every year at Christmas
A card
Smelling of tobacco
From Brother Karl
To my best student
You speak like shit
A laugh___

1976
New York
Speak Yiddish with the Hasidim
Isaac B Singer
Still no better___

1982
Hamburg.
Work for the Reeperbahn pimps
Probably only one of Brother Karl's students speaking German
Walter Abish ' How German is it?"
Kalle The head of the GmbH
A notorious gang
Says
You speak like us
Like shit
Naturlich
I speak like a pimp
Thank you, Brother Karl___

Monday, October 14, 2024

THIEF OF TIME by Peter Nolan Smith

Published on: Mar 23, 2011

My first watch was a Timex bought by my father for my fourteenth birthday. I wore that timepiece throughout high school and college. It disappeared in the mid-70s. Lost, but not stolen. I went without a watch for the reminder of the decade. Punks in the East Village had no use for time. Our days and nights were ruled by rising and setting of the sun.

One of the cops moonlighting at Hurrah, the rock disco on West 62nd Street, had a brother in the jewelry business. Manny called me on the phone. The Canal Street diamond dealer asked for a favor.

"Can you let my son into your club. He's a good kid and wants to see the Ramones." Manny spoke like he had spent his working life on the Bowery. It wasn't far from the truth.

"How old are they?" The NY drinking age in 1978 was eighteen. All the girls from the Manhattan private schools were welcome regardless of age. Cute teenage boys were also on the list. Most of the bartenders were gay.

"Old enough and they have ID. My brother will take them home."

The two boys showed up for the concert. Richie Boy and Seth were sixteen. They had a great time. Andy Warhol hit on Seth. Richie Boy met Mick Jagger. Both of them threw up on the sidewalk. Richie Boy's uncle was a no-show. Seymour had a girlfriend on the Upper East Side.

I let the two boys sleep in my apartment. They snored like old men. Manny called at 5AM. His wife thought that her son had been in an accident. I allayed their fears without any explanation. Manny thanked me for acting beyond the call of duty.

"I'll take care of you when I see you." He gave me the address of his diamond shop. "Stop by for lunch. We eat around 1."

At noon I rolled out of bed. Seth and Richie whined on the floor like two dogs begging to be put out of their misery. Threats of a kick got them to their feet. Their clothing looked like they had been kidnapped by white slavers. I gave them clean tee-shirts.

"Where are we going?" Richie Boy rubbed his face. His eyes squinted in the harsh midday sun. It was still his bedtime.

"Down to the Bowery to meet your father. He invited me to lunch."

"Great." Seth showed signs of life and licked his lips.

"No way." Richie Boy searched his jacket with both hands. Money would change my plans for him. He found none.

"Then how are you getting home?" I had already gone through their pockets. Seth was broke. Richie Boy was a gold mine. Home for them was Long Island. Not a walking distance in any condition.

I shoved the two teenagers out of my apartment. We caught a taxi on Avenue A. The ride to Canal Street took less than ten minutes. I paid the fare with a brand new $10 bill. Richie Boy started to say something.

"What?" I was ten years older and famed for my bad temper.

"Nothing." He exited from the Checker Cab knowing his place, while plotting his revenge.

Seth was looking forward to lunch. He was a good boy. Manny wasn't happy to see his son. The forty-eight year-old diamond dealer was dressed in haute couture for Little Italy. An immaculate gray flannel suit and a big diamond pinkie ring. Manny's father was in the corner counting slips. I recognized them as lists for the numbers game. The old man eyed me, as if i might be a snitch. Manny cooled his jets.

"The goy is good people. He works with Seymour."

"Boydem mit politsa." The old man spoke Yiddish.

I had studied German in high school with a Bavarian monk and read several books of Isaac B. Singer. I had no idea what boy dem meant, but aped the old man's inflection, "Nicht Politza. Ein sheygutz. Nicht Goyim."

The man laughed at my appreciation of the difference between a goy and a sheygutz. manny looked at his watch. The clock on the wall made the time 1:05. A tall Puerto Rican boy rushed through the door with two bags of food. He was out of breath.

"That's Domingo." Manny shook his head in time with his father. "That boy is never on time and neither is my son."

Manny slapped Richie Boy's hand hard.

"No food for no one that hasn't worked and don't say nothing about the sheygutz and your friend. They're guests."

The food was a meal from Angelo's on Mulberry Street. It reminded me of Little Italy in Boston. Manny's father was named Jake. He told stories about bookies, the shetl, and working hard as a carpenter. "Everyone has to have some honest work."

After I finished my lunch, I thanked Manny for his hospitality. He lifted his hand. A watch dangled from his fingers. A Pulsar P2. Roger Moore had worn the same model in the James Bond film LIVE AND LET DIE. 007 later replaced the Pulsar with a magnetized Rolex.

"It's yours. For taking care of my son and his worthless friend."

"I thought you were giving it to me." Richie Boy protested from the steam machine, at which he was cleaning rings.

"Was, wasn't. Sie gesund." Manny snapped the watch on my wrist and I wore it with pride for years. Richie Boy and I became friends. Our interests ran the same; good music, night clubs,, beautiful women, and drinking. Manny's term for our relationship was 'asshole buddies' It was a derogatory term. Richie Boy and I were straight. I discounted his bullshit. He had been born in Brownsville. Its motto was 'Never ran never will'. Manny was a tough guy.

Richie Boy and I were Kings of the Night. We went everywhere. I was working for Manny. His son was able to order me around. His revenge had been a long time in coming, but I didn't begrudge his come-upperance. I was getting old.

For Thanksgiving Eve 1992 we had been invited to a party at an apartment overlooking the staging grounds for the Macy's Parade. Gigantic balloons loomed before the windows of our motorcycle friend RT. I drank a little too much too quick and told the story about meeting Richie Boy for the first time. I showed the guests the Pulsar watch.

"James Bond wore it in LIVE AND LET DIE."

"Roger Moore wasn't really James Bond," a young man said and took the watch from my hand. He was a painter. The watch looked as good on his wrist as mine or Roger Moore. I argued for all the 007s and we drank tequila shots toasting the pantheon of James Bond girls. The taxi ride home was in a fog.

The next morning I woke up wishing that I had stayed home. Drinking at age 40 was more punishing than at 30. I reached for my watch. It wasn't on the night table. It wasn't anywhere in my apartment. I excavated the dregs of the evening and recalled the painter taking my watch. He had never returned the Pulsar to my possession. I called my hosts and told them of the incident. The painter had left town. I remembered his name. New York was a city of millions, but our scene was small.

Sooner or later he had to show up at a gallery opening or dinner or party.

I was wrong.

My watch was gone.

Forever.

I saw one on 47th Street a month ago. The dealer wanted $1100. I cursed the painter and imagined my revenge, if I should meet him. The rendezvous wasn't a long time coming, for this past weekend I had been waiting for a Chinatown bus. My nephew and his girlfriend came to have lunch with me. Matt and I drank three beers in an hour. His girlfriend only 2. I missed the 4PM bus and his girlfriend suggested that we visit the National Gallery.

We walked by the two score plus portraits of presidents guessing who was whom.

None of us were right about Buchanon.

On the third floor was an exhibit of a modern painter. His name sound familiar. A couple of seconds later I said to Matt, "This guy stole my watch."

"The Pulsar, right, Uncle Bubba." Matt and I had spend time together. He had heard most of my stories. Some more than twice.

"Exactly."

"Well, at least he is a good painter."

The thief's paintings portrayed fantastic apocalyptic vision. I admired his cartoonish prophecies, while raging about his ripping me off back in the last century. A tableau of arctic ice chilled my jets.

"You know you're grandmother Nana said that if you lose something that it wasn't yours to begin with?"

"Matt told me that too." His girlfriend beamed at the bridging of the generational gap.

"Also about the nuns saying that there was a closet in heaven with everything you ever lost."

"So I'll have to wait until then to get my watch back." There was a good chance that the artist had not stolen my watch, but I had lost it in the taxi. I liked my story better. Always true, if interesting.

"If you're going to heaven." Matt knew my non-belief of the afterlife.

"No ifs, buts, or ands. I'm hoping for alien abduction before the end."

His girlfriend laughed at the inside joke. She was possibly family. We walked out of the National Gallery in a good mood. She hadn't seen me key-scratch a painting. Matt had rolled his eyes at my crime. I was his Uncle Bubba and he kn ew it was always better to be a vandal than a thief.

Sunday, October 13, 2024

A Crescent Moon O'er Myrtle

A crescent moon in a clear sky
Low over Saba Deli on Myrtle Avenue
The tilt of the Earth
15%
Two weeks after the vernal equinox
The Autumn sun setting due West___
All estimates mostly guesses,
Save one certainty
The bankrupt DeKalb Tower
Empty tonight.
The epitome of the unbeauty of luxury condos___

ps I had a better shot of this but I deleted it. Opps.